It’s been quite a while since the world churned out a truly engaging ‘hardcore’ metal album. Decent hardcore albums, yes. Decent metalcore albums, also kicking about (indeed, it’s true that such things do exist, I assure you!). However, a fully functioning metal album that is also hardcore, and not sugared down, ‘McAudio’ for wannabe cage fighters..? Let’s just say, I haven’t been holding my breath of late. Listening to All Consumed’s No World Order has been an utterly satisfying rebuttal.
Much of the ‘core’ side of things here has been derived from the harder edge of the mid-to-late 1990s scene. Hewn from the memorable foundations of acts such as Hatebreed and Biohazard, the bottom floor of this hateful tenement is populated with urban aggression, yet there is more here than tribute or replication. In the same way that Pissing Razors brought a new angle to this form, All Consumed have broken down the gates and let the metal flow freely.
With the added layer of Rob Thomas’ Jason Netherton style vocal – although delivered in a slightly heavier manner than in Misery Index – there is further reinforcement to the feeling that this is, in its purest essence, a death metal album, albeit one with head-bouncing hook riffs leading the way. Producer, Samuel Turbitt, has also performed excellently in capturing live energy here, ultimately allowing All Consumed to truly indulge in their innate heaviness, something which, it could be said, limited their previous recording efforts. The blending of genres feels entirely natural, though, and rather than a disjointed amalgam of two distinct sounds, it hammers home a brutality that will appeal to followers of both real hardcore and old school death metal.
This record is a dark and menacing piece of work, with no pretensions to virtuosity, and is, consequently, a highly listenable record. Repeat spins do it no harm, either, making it a cacophonous pleasure, and an essential keeper for all curators of eclectic, heavy, audio libraries. All hail the No World Order!
released October 31, 2015
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